Best White Oil Paint, Natural Pigments, Hawaiian Moorhen, And My Studio Assistant

"The best way to finish a painting is to start a new one." - Sylvio Gagnon

"Making Ripples" (Hawaiian Moorhen)

24" x 24" Acrylic on gallery wrap canvas

Available

The above acrylic painting of the Hawaiian Moorhen was from a reference photo of mine taken at Hamakua Marsh in Kailua on Oahu, Hawaii.   It is not what I have been working on lately; I had hoped to finish a landscape this past Saturday but, alas, it was not to be.   Sundays I do not paint at all, and today life interfered beginning with needing maintenance help in my kitchen.   I spent some time improving my website and see below for my studio assistant who needed me to make a trip today to go buy her some food.

See her licking her chops !  This is Lika on my patio.  We are great buddies!  But I digress.

I recently discovered that Gamblin Artist Oil Colors has a new white called "Flake White Replacement".  It is true to the properties of the old flake white but does not contain the lead. This replacement white is also more permanent than the old lead laden flake white, which I used many many years ago.  Nowadays, for the most part, I use Weber's Permalba White which is a mixture of Titanium and Zinc whites; that combination of Zinc and Titanium is, or has been, the best white.  But I intend to purchase Gamblin's Flake White Replacement soon as well as another new white they have called Warm White which is a mixture of Benaimidazolone Orange, Hansa Yellow, Titanium White, and Zinc White.   I realize I can make my own mixture of warm white with paint already on hand, but I like to try new things and I like to save time.   

I made a post here some time back about Natural Pigments (click here) to view.   I will not repeat the old information given there, other than to say some artists (despite it being dangerous and toxic) might still want to purchase lead white paints.   Natural Pigments paints website carries more than one kind of lead white; their paints are called Rublev Colours and they come in watercolors as well as oils.   They are made of natural and historical pigments used by the old masters and there are no additives to the paint like fillers, driers, or stabilizers; simply single pigment colors and binders.  I intend to purchase some of their paints as well.  

Back to finishing my landscape tomorrow !  It is really coming along great; just need to adjust some of the greens and add the foreground cattails.  I tend to paint slow lately and, although I love impressionistic work, I work in a more realistic, time-consuming manner.  I am sure he must have been referring to the French Impressionists when Richard Boyle said, "To the impressionist, the work was finished, no matter how casual the execution, when the idea was completely realized on the canvas."   And that is okay, but it is not my way of working.  I will admit, though, to the truth of what Harley Brown has said, "The painting is always finished before the artist thinks it is."

Lika is sound asleep now beside me, and I need to be a copycat and do the same.  

My Website

reynoldsrenditions@gmail.com

What About Color? And Natural Pigments? (In Still Life Or Other Paintings)

"Painting is a mosaic of colors weaved into a seamless whole."  - Igor Babailov

"Joyous Celebration"  

African Tulip Tree

24" x 20" Acrylic on gallery wrap canvas

My painting above was painted with a lot of joy, mostly because I was excited about the colors involved.  The vivid orange blossoms with the complimentary blue background visually moves you.   However, it is primarily a "warm" painting.   Marion Boddy-Evans has been quoted as saying, "It doesn't matter whether the overall feeling of the color in a painting is warm or cool, it just shouldn't try to be both."   Good advice.   

I began painting in oils when I was 15 years old, without any instruction to speak of except what I had learned in books about supplies needed and a few basics.   I can honestly say that from the very beginning, I painted mostly from instinct, and that particularly applied to the use of color and color mixing.  It came very natural to me, although it took a few years of painting experience to learn more about color and get a sense of what direction I wanted my art to go. I am still learning and experimenting with color today.  A quote I love is by Jean-Baptiste-Simeon Chardin, "Who told you that one paints with colors?  One makes use of colors, but one paints with emotions."

"Iris Garden Dance"

18" x 24" oil on gallery wrap canvas

I chose to feature 2 of my flower paintings here because they are so colorful.   I find much excitement in using a variety of colors in my works.   It keeps my paintings from all looking alike and also helps me to learn more about color mixing and color harmony as I go.    Marc Chagall said, "Color is all.  When color is right, form is right.  Color is everything, color is vibration like music; everything is vibration."  I agree with that to a degree; form and contrast and value are also very important.   

I would like to tell you about a new 2 DVD set by Stephen Quiller, a well-known and respected artist, which is all about color theory and would be a great source for beginning painters.   Check out this link for more information and a short video. 

Also, there has been much interest of late about traditional artists' materials and natural pigments.  Please visit this link for a source of natural pigments, including lead white, mica lead white, ceruse, ercolano red, and many more.   They carry not only oil paints, but casein, tempera, and watercolor.   There are interesting articles on this site as well, such as the color palettes of some of the old masters.

"I try to apply colors like words that shape poems, like notes that shape music."  - Joan Miro

My Website

reynoldsrenditions@gmail.com